Here we blog again...

I moved...follow me!
http://1000woodcuts.blogspot.com/

Don't ask why...just follow me.
Blogger is making a nifty migrating tool so I can consolidate my blogs, I think. Meanwhile, this blog is closed and neatly followed by its twin at the address above. It's seamless...really...except for the seam, that is.

Oxen plowing a year late but plowing nonetheless

Well, here it is, a year late but sometimes the oxen run into troubles...

I dedicated this print to those who taught us to keep the plow in the ground no matter what life brings. After all, the fields can't wait and the harvest won't come if we don't keep working. So here it is, a little woodblock print in the Japanese tradition; must say I enjoy the change in process.



Aside from that, I wanted to do something to benefit Haiti and decided to use my ebay store to do just that. So from now until the end of February, maybe longer, who knows! I will donate pretty much all my profit from auction sales on ebay. The donation happens automatically when a purchase is made and it makes me happy to know that my art is being used for the good of all those poor people.



Two more prints already on the bench, an engraving and a puzzle collaboration print. It feels good to be back in the studio and this year I vow to keep the plow in the ground.
http://1000woodcuts.com

Works in progress, finally...but not yet

When I can't make new art, I entertain myself doing something in the studio. I HAVE been carving a large project and been designing some new but these days I just can't bring myself to print. Tough year!

One of my long-standing projects on my never ending list of things to do was to take better photos of my artwork and complete my digital files. With almost 300 images on record, this has been a tedious and boring project. And I'm not done yet!

But I'm liking the results and now all my images look better. Since it's "the season" I also decided I had too many prints laying about and, not in the mood for returning to the festival circuit as of yet, I decided to revamp my online shops in ebay and Etsy. The details work very well to give someone a better idea of what they are getting within the limitations of online art displays.

Automating tasks in Photoshop and Dreamweaver makes the process a lot faster, although there is still a bit of work for each image. And since I can't seem to do anything without thinking of my fellow artists, I'm also working on a guide on just how to do this, imaging, online selling, and so on. Great...another book project...just what I need.

Here are some examples of some of those details. With ebay's new "free gallery" policies for the art category, it has become a lot easier to make better looking and more visually informative displays. For anyone that has been thinking about placing a couple of older art items online in one of these shops, this is the time!

Carving Goldwell blocks these days

While I was at my residency last October at the Goldwell Open Air Museum, I fell back to my old habit of taking a bunch of "sketch blocks" with me on daily walks.

Here are some of them. I favor Sharpie markers as my sketching weapon. No room for mistakes that way which makes me capture things in a very spontaneous and direct manner.

I made quite a few of these and plan to print them as sketches and bind them as a coloring book.

Here are some progress pictures of the smaller of the two East blocks. This one is the Red Barn as seen from the East.

One down, seven to go! Oh yeah, and all the little ones...

Keeping in touch with collectors!

My two cents on marketing...

When I first started this crazy "business" I sent everyone that collected my artwork a thank you card, a Christmas card, and a quarterly printed newsletter. Marketing is a full-time job; making art is a full-time job; selling art is a full-time job. Who can keep up! (Besides Annie Bisset and David Bull, that is, my heroes!).

Anyhow, here we are a few years later...my little customer list grew and grew! Where I began with about 100 faithful followers, I now have around 2100 in my database. What to do?
First thing I did was start to "clean it up" so every year I drop a few that have gone silent. I drop bounces and returned cards as I don't want to waste precious marketing pennies and I'm sure my customers don't want to be bothered again and again after they are no longer in touch.

Still keeping up with the thank you cards for every purchase at festivals. NOT even close keeping up with Christmas cards or printed newsletters; the Christmas "card" and the neatly printed newsletter have metamorphosed into:

- An email Christmas greeting.

- An email newsletter, I call it 1000 Woodcuts Updates and am pretty faithful about sending about 2-6 a year depending on how busy I am and how much I have that is really "news". Here is a sample: http://1000woodcuts.com/1000woodcuts/updates/updateindex.html

- This blog, which is a Blogger blog but kept archived in my own website just in case. Every artist should have one (did I just say that?).

- My own website, of course. Actually, two websites, one for me and one for my Art Festival Guide http://artfestivalguide.info
They take a bit of work to keep updated, but the "building" is the hard part. I would like to have more Studio Notes for all the artist friends out there, but they will come in due time.

- Pages in Facebook, Inkteraction, eBay ME page, Etsy Shop, AbsoluteArts, and every once in a while I find one that I had forgotten and is in horrible need of an update. Now that I can update Facebook from my iPhone I might keep up a little better there.

- I also belong but rarely log on to WetCanvas, various online printmaking groups, various online art festival groups, the National Association for Independent Artists, the Nevada Arts Council...I'm getting a headache...

Every little bit helps and the world wide web has really changed the way us lowly artists can market themselves to a global audience. Keeping up with it all is the problem!

This year I'm going to surprise my collectors by sending them all a printed newsletter again. The printed physical piece has become so rare in these days that I always welcome post-cards and letters from people I want to follow in their art adventures.

What a wacky career we have chosen...